Walking on Earth and Touching the Sky: Poetry Review (LS 5663 Module #6)














Walking on Earth and Touching the Sky: Poetry Review

BIBLIOGRAPHY
McLaughlin, Timothy P. Walking on Earth and Touching the Sky: Poetry and Prose by Lakota Youth at Red Cloud Indian School. New York, NY: Abrams Books for Young Readers. ISBN-13: 978-1-4197-0179-5

Nelson, S.D. Walking on Earth and Touching the Sky: Poetry and Prose by Lakota Youth at Red Cloud Indian School. By Timothy P. McLaughlin. New York, NY: Abrams Books for Young Readers. ISBN-13: 978-1-4197-0179-5

SUMMARY/ANALYSIS
Timothy P. McLaughlin’s poetry collection, Walking on Earth and Touching the Sky: Poetry and Prose by Lakota Youth at Red Cloud Indian School, is an incredible poetry collection and piece of culturally reflective poetic work. Presenting poetry created by the Lakota youths themselves provides a tremendous amount of insight into the true situation and lives of the Lakota living on a reservation. This collection is broken into various categories containing poems, these categories being the Natural World, Misery, Native Thoughts, Silence, Spirit, Family, Youth and Dreams, and Language. Each categorical section contains historic/present information about the Lakota tribe, illustrations and captions (provided by S.D. Nelson), and reflections.

As each poem is written by a different student from the Red Cloud Indian School, the poems varying in their poetic styles, patterns, and formats. Some implement easy rhyme schemes, while others use line couplets and free verse styles. They are all similar, however, in one way; they are all honest and raw. One poem, “Ugly Life on Dirty Rez” by student Dena Colhoff, presents the truth of live on a reservation in such an honest and raw form. The poem goes as follows:

Life on
Life on the reservation
Life on the reservation is dirty
Life on the reservation is dirty, filthy
Life on the reservation is dirty, filthy dogs.

This poem serves to provide an honest look into what it is like for many of these Lakota youths living on reservations, implementing this triangular, building style/format to do so. This poem uses repetition to emphasize wording as each pairing of new words on the sentence builds upon the previous sentence fragment. Each line provides more insight with each additional descriptive word, beginning with life, then telling us how this poem is about life on a reservation, then how it is dirty, dirty and filthy, and finally how it is dirty and has filthy dogs. These last two words, “filthy dogs”, can be interpreted as how the reservation is dirty and overfilled with such chaos and filth as filthy dogs, or as how the Lakota themselves are forced to live in poor and dirty circumstances, living like filthy dogs. Through this short poem the reader is provided with the poor and dirty reality of life on a reservation, learning such through the wording created by this student.

This poetic collection also contains colorful, powerful images and artistry at the beginning of each category/section. These illustrations depict the subject of each individual category and provide information on the topic of the illustration and the poems within the section. For example, the section “Misery” (beginning on page 27) is paired with an illustration of a Native American on a horse out in nature. Both the Native American and the horse are looking downward, looking solemn and defeated. The image also shows wind blowing harshly upon them and their gloom, adding to the feeling of cold and imminent defeat and sorrow. Instead of being drawn in a more naturalized skin tone, the Native American in this illustration is portrayed as having a pale blue skin tone, symbolic of the feeling of being “blue” and sad. Under the illustration information is provided about the art, first providing the reader with the name of the painting, which is End of the Trail. There is also a small description of how alcohol was the downfall and defeat of many Native Americans and their traditional ways of life, but also a small blurb about how though this art depicts a defeated and sorrowful character, today many more Native Americans choose to push forward and leave behind these sorrowful feelings and their past victimization.

The collection of authentic poetry would be a wonderful addition to a history classroom, incorporating the poems, art, insights, and historical and present information provided within this collection into historical lessons and class assignments. This is also a wonderful way to spread cultural awareness to both children and adults, sharing personal experiences, opinions, and expression of the Lakota through these poems. I would highly recommend this collection to readers of all ages.

POEM PLUS “TAKE 5” ACTIVITIES
One example of a raw and powerful poem within this collection is the poem “Silence” by student Julia Martin. This poem is beautifully worded and does a wonderful job of describing her observation of what silence is composed of where she lives. When one first thinks of silence, we think of the elimination or lack of sound. As is beautifully described within this poem, however, we rarely experience true silence, and silence observed in different areas is typically accompanied by a mix of background noises. This poem does a great job of conveying this point, as well as providing the reader with awareness of the sounds observed on a reservation. There is also strength in the style of poetry, using the initial phrase of “silence is the loudest noise I ever heard” as both the beginning and ending of this poem, emphasizing this point.  

Silence
By Julia Martin

Silence is the loudest noise I ever heard. The wind blowing gently across
the prairie grass. The horses galloping around the field, the birds flying
quietly to the trees. Silence is the loudest noise I ever heard.

Take 5 Activities
1.    Read the poem “Silence” aloud to the group, having them listen carefully to what the poem is really saying about observing silence.
2.    Reread the poem aloud, having the group read the first and last sentences aloud along with you.
3.    Have the students sit in complete silence for one full minute. Discuss what was observe during this period of silence. Was the room completely silent? What noises did the students observe? How does this compare to what the poem is saying about silence?
4.    Pair this poem with a picture book about silence, such as the book The Sound of Silence by Katrina Goldsaito (Little Brown Books for Young Readers, 2016). How does this book demonstrate the sounds found within silence?
5.    Link this poem to another children’s poem about silence such as the poem “A Minute’s Silence” by Paul Farley from The Boy from the Chemist is Here to See You (Picador, 1998).   How does this poem compare to the first poem read? What is happening while observing silence?

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